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September 2001 Parasol
Newsletter
Issue #46
Another volume of our Sweet Sixteen series is
mastered and ready for the pressing plant. Adam Schmitt contributes an
unreleased song that was originally slated for his suspended Treefalling album.
Neilson Hubbard covers the Howard Jones hit "No One is to Blame" and
Fonda merges dream pop with Motown on a version of the Supremes' "Love
Child." Volume 4 also boasts a Jenifer Jackson home demo, new songs by
June & the Exit Wounds, Angie Heaton, and White Town, a sneak peak of the
next Starlet album, and first time Sweet Sixteen entries from Absinthe Blind,
The Witch Hazel Sound, The Signalmen, and (woo hoo!) The Soundtrack of Our
Lives, among others.
SPOTLIGHT
The Soundtrack of Our Lives
If you've somehow missed our raves regarding
this clandestinely classic rock band, here's a whole page for you! When I
personally bought the first one on import for $26 I had that same giddy feeling
I used to get when I drove my parents car into Chicago to buy imports at Wax
Trax with the money I somehow diverted from my college savings account. Sure,
the album was destined to get a domestic release at $15, but I would have it
first! A few years passed without America's knowledge of The Soundtrack Of Our
Lives and we saw a UK distributor listing for an unfamiliar title.
"Extended Revelation." Was it a remix as the title suggested, or a
new album? Our patience was rewarded with the knowledge that Extended
Revelation was in fact a new 16-song album. $26 more dollars left my wallet
and I was glad to see it go. The new album was better than the first and a few
underground publications - Ugly Things, Your Flesh - did long
features related to the band. We bought as many copies as we could for Parasol
Mail Order and customer after customer read our recommendations, bought both
CDs, and told their friends. We started dealing directly with Warner Brothers
Sweden and were able to offer them through Parasol Mail Order at a domestic
price. Still, why had no big American label picked these up for the U.S.? All
Music Guide said the band had signed to Sire, and we heard TVT was going to
release Extended Revelation, but more time passed and nothing happened.
All the while we were contacting the label, contacting management, contacting
one of the member's girlfriends (ok, she directed the fan club), in an attempt
to license the CD for U.S. distribution. We had little to offer but enthusiasm.
We couldn't pay much up front, and were not sure how many we could sell, but
surely when we mailed CDs to journalists - all of them, at their core, music
fans - the word-of-mouth would begin. Still, there was no interest in licensing
the CD to a small U.S. independent. Our disappointment was lessened by news
that 2001 would bring album #3, Behind the Music. And then, more good
news came; Hidden Agenda/Parasol was given the opportunity to license finished
product for sale in the U.S. Now, we finally get to release music by our
favorite rock band. The greatest living rock band in the world today. Note:
Regular prices for all three are $11.00, but for the month of September you can
buy them on sale for $8.50 each. An amazing deal!!

Welcome to the Infant Freebase
CD (AHA!030) $11.00
Twenty tracks, a quantitative let down considering
the band had recorded over fifty songs, and had hopes of releasing a debut
boxset or at the very least a debut double-CD. The style varied from
awe-inspiring pop anthems to incendiary guitar rock, infused with several
decades' worth of psychedelic intrigue, epics befitting the talents of six
amazing musicians. "Mantra Slider," with it's serpentine sitar
introduction, echoes the Rolling Stones at their most Let It Bleed
bohemian, "Chromosome Layer" was pure psychedelic folk-pop, while
songs like "Grand Canaria," "Firmament Vacation," and
"Four Ages" display the masterful symbiosis of Bjorn Olsson's
dramatic Morricone soundscapes with strong lyrical performances. The blistering
rock epic "Confrontation Camp" was a raw boogie tune that the Black
Crowes would have killed for to get their hands on. And there was "Instant
Repeater´99", a grandiose power-pop number penned by Ian and Ebbot
that charted all across Europe. Ian and Ebbot also wrote the breathtakingly
ethereal ballad "Endless Song," perhaps one of TSOOL's most beautiful
tracks ever.

Extended Revelation: From the Psychic
Weaklings of the Western Civilization
CD (AHA!031) $11.00
Extended Revelation - For The Psychic
Weaklings Of The Western Civilization was released in early 1998, the
band's second effort boasted a mere 16 songs and found TSOOL exploring a
mellower, trippier soundworld. More mystical and darker than their explosive
debut Welcome to the Infant Freebase, their second effort, the 16-song
Extended Revelation is an album of breathtaking beauty: retro-pop
alchemy and narcotic psychedelic rock. "From Gravity to Gold",
"Century Child" and the "Jehova Sunrise" showed of the
typical dramatic sounds that now had become their trademark, while
"Impacts & Egos" was a close relative to "Instant
Repeater´99" from Welcome To the Infant Freebase. "Psychomantum
2000," "So Far," and "Let It Come Alive" delved into
more psychedelic territory, while "Safety Operation" displayed the
sentiment of melodic 60s pop akin to The Kinks and The Who.

Behind the Music
CD (AHA!032) $11.00
In a way, it's a completely new band that
emerges on The Soundtrack Of Our Lives' third full-length release, Behind
The Music. The melancholic vibe that dominated the first two albums has
partly been replaced with more hard hitting and groove-driven songs. Rockers
such as "Keep the Line Movin'," "Independent Luxury,"
"Infra Riot" and the voluptuous "Sister Surround," burn
with an incandescence that recalls the Union Carbide days, post-dated with The
Rolling Stones and updated with brilliant studio alchemy. The band still keeps
the balance though, with a handful of pure pop singles begging for radio play,
"Still Aging" and "Nevermore" and the brilliant 60s
psych-anthem-freakout "The Flood." The band also let their acoustic
prowess shine through, delivering moody and introspective songs such as the
masterful piano tearjerker "Tonight," - collaboration between
keyboardist Martin Hederos and vocalist Ebbot Lundberg - and the serene lullaby
of "In Your Veins." Once again The Soundtrack Of Our Lives created An
Album Statement, like albums of era's past. Listening to Behind The
Music, you can't avoid being struck by the fervor and force emanating from
the songs. This is a band playing at the height of their ability, and enjoying
every second of it. You'll be able to sample the song "Nevermore" on
the forthcoming Parasol's Sweet Sixteen, Volume 4.
Coming Soon...
- The Melody Unit-Choose Your Own
Adventure (Hidden Agenda) CD due in October
- The Witch Hazel Sound-This World, Then
the Fireworks
(Hidden Agenda) CD due in October
- Various Artists-Parasol's Sweet Sixteen,
Volume 4 CD due in October (Parasol)
- The Green Pajamas-The Carolers' Song
(Hidden Agenda) CD EP due in November
- Starlet-When Sun Falls on My Feet CD due
in November (Parasol)
- Lasse Lindh-You Wake Up at Sea Tac CD
due in November (Hidden Agenda)
- Angie Heaton-Let It Ride CD due TBA
(Mud)
- Doleful Lions-TBA CD due TBA
(Parasol)
- June & the Exit Wounds-TBA CD due
TBA (Parasol)
- Toothpaste 2000-TBA CD due TBA
(Parasol)
- Club 8-TBA CD due 2002 (Hidden
Agenda)
IN CASE YOU MISSED IT...
Club 8's new self-titled CD, is getting
the recognition we hoped it would. First, thanks to you it likely will end up
in Parasol Mail Order's top 5 sellers of 2001. Second, veteran rock critic
Greil Marcus acknowledged its charms in a recent Salon.com column
writing, "From a Swedish duo, dream pop with the undertow dream pop
needs
It's a love-and-espionage sound that's been missing since Belgian
band Hooverphonic's 1996 A New Stereophonic Sound Spectacular - apparently a
sound only Europeans can make, or hear." Third, Alternative Press
says Club 8 is "lovely and mesmerizing laissez-faire music that manages to
be sweet and catchy without being cloying." And fourth,
Rollingstone.com praises vocalist (and CD booklet star) Karolina
"Komstedt's breathy vocals (which) hold the same sort of sensual allure as
do those that anchor St. Etienne, the Sundays and the Cardigans." If
you're a big-city female clothes shopper be sure to keep your ears pricked in
Anthropologie outlets, which will feature Club 8 on their stereos.
SOME PARASOL RELATED ARTIST ANSWERS SOME
QUESTIONS
The Witch Hazel
Sound's Kevin Coral
1. Mixing session you wish you could have
attended-
"Well, I could say something obvious like Forever Changes or Pet Sounds
but instead I'd go with the mixing session that put Ennio Morricone's score to
the film Once Upon a Time In the West. It would truly be awe-inspiring to see
the work of two geniuses - one cinematic, one musical - come together to make
something truly greater than the sum of its parts."
2. Songs you think you probably shouldn't
like but just can't help yourself-
"A ton. Ummm... 'Weekend In New England' by Barry Manilow, 'Sister
Christian' by Night Ranger, anything by America. I could go on
forever."
3. Favorite record that you can't find on CD
(or CD you can't find on vinyl)-
"Also a ton. Off the top of my head: Mustard by Roy Wood, Dream With Dean
by Dean Martin, Someday Man by Paul Williams, Brasil by Joao Gilberto, Rewind
by Johnny Rivers, and hundreds more."
4. First Concert-
" I really don't remember (I have an awful memory). I think it was Genesis
in 1985. Yes, I was, and to some extent still am, a Genesis fan. Though by that
time, they really began to suck."
5. Favorite Bass Player-
"For the sheer number of great songs she played on, it'd have to be Carol
Kaye. Honorable mention to McCartney and Brian Wilson. Oh, and Mike Split of
Witch Hazel Sound. He is the BEST bass player out there right now, bar
none."
The forthcoming CD, This World, Then the
Fireworks
, from Kent, Ohio's, The Witch Hazel Sound mixes the pop
song elements of the band's critically-acclaimed debut CD, Landlocked, and
their more orchestrated follow up EP, It's All True, which All Music
Guide describes as, "A dreamy, earthy sleepwalk through Brian Wilson's
sandbox
" Kevin plays guitar and co-writes the songs for WHS.
The Archive
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2001 June 2001
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2001 March 2001
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