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Staff pick of the week...
This week...Jim picks it!
Artist: The
Concretes
Title: S/T
Price: $15.00 CD 
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Tracks
on this CD: |
| Say
Something New |
| You
Can't Hurry Love |
| Chico |
| New
Friend |
| Diana
Ross |
| Warm
Night |
| Foreign
Country |
| Seems
Fine |
| Lovin
Kind |
| Lonely
As Can Be |
| This
One's For You |
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The Concretes,
once three teenage girls, now an 8+piece Nordic pop orchestra,
are led by Victoria Bergsman’s sensually
slurred voice (she hangs brightly indeed)…whilst the
band adorns the tunes with strings and horns and ramps up the
reverb to Phil Spector-esque levels, injecting the lush Mazzy
Star dreaminess with a lithe, hip-shaking Ronettes-styled 60s
girl-group shimmy. Even the saddest ballads are infused with
the stuff that screams pop genius! A retro, sexy bliss-pop
album bursting with love, love, love…sure, love gone
bad but maybe love gone good too, the happiest, saddest record
of recent memory. The adoring gush has already begun in the
UK, and The Concretes, who had an EP collection on Up Records
a couple years back and are all set to blow up here in the
U.S. next year on a big-label-to-be-named-later… Seriously,
one of the very best albums in recent memory, for fans of Mazzy
Star, Opal, The Velvet Underground & Nico, The Delgados,
The Jesus & Mary Chain, Phil Spector’s wall-o-sound,
and “the ramshackle charm of early Belle & Sebastian”.
Honorary Concretes for this album include genre-defying Svensk
crooner Nicolai Dunger and Bear Quartet guitarist Jari Haapalainen.
“Ungodly-good girl-group from the mean streets of Stockholm,
who swagger like Ronnie and layer-on instruments like Phil
as they conjure the Spector of past pop with wall-of-sound
arrangements… It's such ridiculous genius that calling
it album-of-the-year feels like slander… The best pop
band in the history of this moment; playing up a debut disc
proper that's the best record in the history of 2003 as it
stands so far.” (Neumu)
“Decent bands may be two-a-penny these days, but those
flirting with genuine magic are few and far between. Which
is why Swedish pop orchestra The Concretes are such a heart-melting
treat… Matching the artful drone of The Velvet Underground
with a sugar coating of The Ronettes and the ramshackle charm
of early Belle & Sebastian, this is aural seduction of
the highest order. By this time next year the whole world will
be under their spell.” (NME)
The Spectorian thunder of jaw-drop opener Say Something New
suggests a new emphasis on maximalism. Now it sounds like a
50-piece Concretes orchestra swooning through the melancholy
bonhomie of Warm Night, and the harp-led cascade on the coda
to this One's For You. Victoria Bergsman's intimate, tipsy
voice is just as suited to the silent movie piano backing of
Foreign Country as it is to cranky, bolero tribute to Diana
Ross "She leads my way in to a love hangover". (Mojo)
“Second full length from one of our favourite Swedish
should be superstars The Concretes. 11 tracks that range from
gorgeous scando pop with those breathy and sexy female vocals
to more mellow moments that sound like Mazzy Star or Nico and
The Velvet Underground. From start to finish this oozes quality.” (Rough
Trade)
The melodic songs are undeniably accessible, evoking the gauzy,
country-folk seductiveness of Mazzy Star and the tambourine-shaking
fuzziness of The Jesus & Mary Chain, morphed into their
unique signature sound… Choruses swell (with rising star
Nicolai Dunger contributing backing vocals), horns swoop, organs
wheeze, strings tickle, and gigantic cartoon bumblebees fly
straight out of (Mercury Rev/Flaming Lips) Dave Fridmann’s
bonnet (he didn’t produce it, but probably dreamt he
did). (Fast-N-Bulbous)
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