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Staff pick of the week:
This week our intern Shadie picks The Antarcticans...

The Antarcticans

Artist: The Antarcticans
Title:
Self-Titled
Label: New Black Music
Format: CD $12.75 Crystal Skulls LP $12.75 Crystal Skulls

 

 

Avoiding the first-person is a challenge for this writer, when reviewing an album that for a self-professed instrumental rock idolater takes on distinctively personal semantics. The stereotypical way to introduce a post-rock album by hitherto unknowns is the obligatory equation, often skillfully woven into text, but here explicitly stated: Antarcticans = Godspeed You Black Emperor x (early-Mogwai + early-Explosions in the Sky) / My Bloody Valentine. Though somewhat descriptive, such a proclamation is largely arbitrary, and ultimately serves to further distance the unfamiliar from an already insular community of listeners. For post-rock, and noise-rock as is also present, are strange beasts that can frequently, to the untrained ear, come off sounding like a wall-of-noise, distorted and dissonant, formless and excessive.

But as this four-piece Los Angeles-based group demonstrates, it’s all about discovering those hidden intricacies that fail to present themselves on first listen. Unlike conventional rock, this doesn’t revolve around an infuriatingly catchy refrain, but relies on constant revisiting to familiarize oneself with what will eventually prove to be a far more rewarding experience.

R
ather than attempt to bombard their audience with short spurts of violence, The Antarcticans realize, with their debut album, that their compositions need time and space to develop. Thus they offer up a free-wheeling sonic journey akin to Godspeed’s most epic constructions. The path is unpredictably volatile, but entirely mesmerizing, contrasting hardcore onslaughts with psychedelic resolution. The second track establishes a vivid and emotive soundscape that evokes Pink Floyd’s “Echoes” (albeit a distant descendant). But The Antarctican’s ability to instantaneously inflect an idiom they have apparently wasted no time in mastering is constantly mesmerizing.

This is a self-produced, self-released, self-titled album that captures a perturbing and raw energy usually only witnessed in live acts. With such an abundance of proficiency and talent so early on, this is a band that we will no doubt hear more from shortly.

 
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Geoff The Music Maker Label
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Michael Mars Volta Frances The Mute
Jim Dead Cowboys Twin Evil Stars
Michael Antony and the Johnsons I am a bird Now
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Geoff Teenage Fanclub Grand Prix
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Bill Secret Machines Now Here Is Nowhere
Roy Isis Oceanic
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Jim The Knife "The Knife"
Roy Seam "The Problem With Me"
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Jared The 13th Floor Elevators "The Psychedelic Sounds Of..."
Bill Bettie Serveert "Palomine"
Geoff Mojo magazine
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Roy Boy's Life "Departures & Landfalls"
Jim V/A "Accelerator"
Michael Devendra Banhart "Rejoicing In The Hands"
Jared Dead Kennedys "Plastic Surgery Disasters"
Jim KVLR "KVLR"
Angie Liquorette "When You Work I Sleep"
Roy Buffalo Tom "S/T"
Michael José González "Veneer"
Jared Björn Olsson "S/T (The Crab)"
Michael Starsailor "Silence Is Easy"
Jim Hip Whips "Hip Whips"
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Geoff Willie Nelson "Crazy"
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Angie Easterly "S/T"
Jim The Concretes "S/T"
Roy Ron Sexsmith "Other Songs"
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Jared The Cure "Kiss Me, Kiss Me, Kiss Me"
Bill June & the Exit Wounds
Geoff Langley Schools Music Project "Innocence and Despair"
Roy Wayne Everett "Kingsqueens"
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Roy Pelican "Untitled EP"
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Geoff Unbunny "Black Strawberries"
Angie The Fiery Furnaces "Gallowsbird's Bark"
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Jared Kiss "Destroyer"
Bill Mars Volta "De-Loused In the Comatorium"
Geoff Let's Active "Cypress/Affoot"
Angie Trembling Blue Stars "A Certain Evening Light"

 



 

 

  
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