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Kevin Tihista - Home Demons Volume 1

a.s.h. let it ride cover art

Artist: Kevin Tihista
Title: Home Demons Volume 1 Catalog#: Parasol-CD-096
Regular Price: $10.00 buy

Tracks on this CD:
Dracula

Can I Count On You?

I Don't Blame You
#32
Wake Up Captain
Stratford Upon Avon
Sweet
We Just Disagree
Idiots
This Should Be A Duet (Really)
15 Hundred Miles

Jim Henson's Blues/You're Not Bad

Do You Know What We Should Do Now?
Dracula II
Rings by Absinthe Blind (Mud Records)
Fourteen-song collection of unreleased songs from heralded Chicago songwriter/recluse Kevin Tihista, sans his Red Terror. Features plenty of Tihista’s trademark studio-savvy orchestral-pop genius alongside intimate bedroom demos recordings. Includes a nifty cover of Dave Mason’s 1977 hit "We Just Disagree" and the best bits from the download-only Dracula collection.

Stories abound about the genius songwriter done in by stage fright, poverty, voices in the head, agoraphobia, fear of failure, fear of success, shattered heart, broken soul and the old standby, drugs. We’re not sure which afflict Kevin Tihista but none of them have stopped this Chicagoan from consistently finishing and releasing critically-acclaimed albums.

Kevin was 30 and had played professionally for a decade (Triple Fast Action, Veruca Salt) before he actually finished one of his own songs. But, since 1999 he's been working at a feverish rate, averaging three or four new ones a week. "Once I got it, I was a freak," he says. "I didn't stop. I was afraid to stop because I didn't want to go back to where I was. I'm still afraid to stop. So I just try and write as much as I possibly can."

Although Home Demons contains a few bona fide studio out takes, most of the tracks were recorded in Kevin’s box room at home surrounded by his guitars, cheap keyboards and Kiss figures, in the company of long suffering girlfriend Tonya (co-cover star) and their teenage cat Rat.

"I just write them, demo them, and put them in this big pile. And whenever it's time to make the next record I'll just pick out some songs to record. But once I get into the studio I really go into overdrive, and I'll write even more freakishly than I do now. I'll replace old songs with new ones and it's crazy..."

Many from Kevin’s demo pile ended up in full-blown studio form on the 2004 release Wake Up Captain, which The Chicago Reader named the #1 Chicago release of the year, and UK’s UNCUT voted in their year-end Top 60. Further, MOJO described KT as a “a wry, dreamy-voiced soul let loose in a deluxe soft rock playpen” (that’s a good thing) and the Onion compared Wake Up Captain to the “early-‘70s work of John Lennon and Harry Nilsson.”

Inspired by the sheer number of unreleased home demos collecting on CD-Rs in Kevin’s apartment, Parasol is releasing the first volume of Kevin Tihista’s Home Demons series. Volume 1 features fourteen tracks including the original version of the Wake Up Captain track “Sweet,” a cover of the Dave Mason hit “We Just Disagree” and songs from the download only collection “Dracula.”

"I know it's weird, but I went through all my teens and my 20s without writing a single song," he says. "I feel like I have all those years to make up for."

------------------

Press for "Wake Up Captain"...

“Some people want to fill the world with silly love songs…”
CHICAGO READER

“He sounds like the late Elliott Smith might have if he’d been weaned on ELO instead of The Beatles – a wry, dreamy-voiced soul let loose in a deluxe soft rock playpen.”
MOJO MAGAZINE

“A challenging and often moving song cycle…one that ought to separate the stage-shy songwriter from the Ed Harcourt pack, while securing him the respect and following he deserves on his native shores.”
STYLUS MAGAZINE

“ 17 skewed pop masterpieces on which Tihista tests his fragile state of equilibrium to the limit…[and] suggests the demons that inspired this beautiful and disturbed record are still lurking in the shadows.”
UNCUT MAGAZINE

“Wake Up Captain takes a quieter approach…striving for the sound of the middle of nowhere in the middle of the night. Deploying piano-bass-and-guitar-solo arrangements similar to the early-'70s work of John Lennon and Harry Nilsson…over an hour of breathy, echoing balladry to justify the tenuous optimism of the album's final track, "This Is An Offering," a hymn for the pop-addled.”
THE ONION







 
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