The
Great Crusades - The First Spilled
Drink of the
Evening
Artist:
The Great Crusades
Title: The First Spilled Drink of the
Evening
Catalog#: Mud-CD-032
Price: $7.50  |
Tracks
on this CD: |
| When
the Stars Have Run Out of Souls |
| The
Great Crusades |
| Yellow
Skeleton |
| The
Stranger |
| The
Search |
| Mirror |
| How
Can You Believe In Me? |
| Two
Fishermen |
| Beautiful
Drunk |
| Caroline |
| Who
Put a Gun In My Hand? |
| The
First Spilled Drink of the Evening |
|
|
Starting
with the facts...
Brian Krumm has played every show
as a member of the Great Crusades, back in their starting
days in Champaign, now in the relocated homebase of Chicago.
Brian Hunt's been involved a good long while, too. The two
have a bond, dating back to their days in the Suede Chain,
a Champaign based act that would hint at great things before
their dissolution in 1995. Christian Moder, who played keyboards
in Krumm's earliest bands, dating back to fifth grade, now
sits behind the drumkit for the Great Crusades. The circle
closing again. Brian Leach, playing keys and adding textural
guitars, has his own act, Sugarbuzz.
The Great Crusades debuted on
Mud last year, with a record, The First Spilled Drink Of
The Evening, that hustled together a variety of influences,
some thorny lyrics and expert playing--guitarist Rod van
Huis and drummer Mike Rader contributed mightily to the recorded
effort.
When those two left the group
to pursue other opportunities, Krumm and Hunt decided to
press on with the project, and why not? After all, the growth
of their talents is obvious to anyone who's followed their
progress over the last decade. Whereas the Suede Chain threw
everything imaginable into their songcraft, from gently weeping
near-country to folk to guitar rave-ups, the Great Crusades
seems more centered, though no less imaginative.
There's is a rare focus, one that's
drawn comparisons (mostly English) along the lines of Tindersticks,
Pulp, Gallon Drunk, PJ Harvey, and, yes, Tom Waits, an influence,
clearly, on Krumm's tales of drunken nights and weary days
after.
These are sad songs, well-executed
live, a single lamp illuminating Krumm, his shirt-and-tied
band different these days than a year ago, but still able
to register the same emotions. Sadness. Longing. Sometimes,
a clenched-fist optimism, though, more often, a bracing anger.
The Great Crusades' songs are
stories, played out on stages throughout the midwest. There's
is a particularly attractive sound, even as it holds you
at arm's length.
Great is not wasted word in their
name. It's what they are. May they enjoy the riches they
justly deserve. |