The
Jan Martens Frustration - Self-Titled -
A Hidden Agenda Record
Debut
album of sweltering garage rock from Gothenburg combo
The Jan Martens Frustration.
Founded by former members of mid-90s (jazz) rockers The
Nymphet Noodlers. Features guest appearances from members
of
The
Hellacopters and The Soundtrack of Our Lives. Fifteen songs
include
their brand new album, their debut EP, and a b-side bonus
track.
Making
good on the promise of their torrid debut EP [included
here] this is the long-awaited first full-length
album of honest-to-Odin Swedish Garage Rock from The Jan
Martens Frustration. Big riffs leavened with bigger riffs,
overdriven vintage amps and cosmic effects, balanced with
sweet little lofi sojourns, led lyrically through all manner
of neurosis by Jans Marten's tortured vocals. Scandinavian
Garage Rock for fans of The Soundtrack of Our Lives, Union
Carbide Productions, The Hellacopters, The Nomads, the
Detroit sound, the Chicago sound, and of course, the Gothenburg
sound… Göteborg är
BÄST! This 15-song CD collects all the tracks from the
band's debut "H Bomb Club EP", the new self-titled
album, and bonus track "Catch As Catch Can". The
Frustration features former members of Swedish jazz-rockers
The Nymphet Noodlers, band namesake Jan Martens and Jesper
Karlsson (Thunder Express, Diamond Dogs, Rocket 99). The
Frustration recorded their debut EP (included here) with
guest appearances from organist Martin Hederos (The Soundtrack
of Our Lives, Hederos & Hellberg, Nymphet Noodlers),
guitarist Mattias Barjed (The Soundtrack of Our Lives, Nymphet
Noodlers), and guitarist Robert “Strings” Dahlqvist
(The Hellacopters). Since then Jan and Jesper have recruited
Jesper's twin cousins Olof and Gustav on guitar and organ
respectively.
REVIEW: “You just wait and See/You just wait for me/I
will disappoint you and tell you lies” howls Jan Martens
on “Convolutions,” the opening track on his eponymous
debut album with his band, the Frustration. Throughout the
disc-a combination of the JMF’s initial EP, their new
album and a B-side released in their native Sweden-Martens’ voice
is equal parts ragged energy, raw desperation and uncompromising
honesty, while the band spins a stripped down/tripped-out riff
assault with all of the visceral impact of Detroit garage denizens
shrieking out their angst with guitars and Marshalls. At the
same time, JMF displays the kind of subtlety within the sonic
chaos that distinguished the thunderous rock and delicate pop
constructions of Roy Wood and the Move or the punk blurt and
soul understatement of the Stooges. Martens’ frustration
is our complete satisfaction. Guaranteed.” HARP MAGAZINE
/ BRIAN BAKER
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