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Acid House Kings - Mondays Are Like Tuesdays and Tuesdays Are Like Wednesdays

ahk cover art

Artist: Acid House Kings
Title: Mondays Are Like Tuesdays
and Tuesdays Are Like Wednesdays
Catalog#: AHA!038
No longer available.

Tracks on this CD:
Sunday Morning (Windows Media)
Start Anew
She Keeps Hoping
Brown and Beige Are My Favourite Colours
This Love Is All We Need
Summer's On Its Way
Swedish Hearts
You're A Beautiful Loser
A New Day, A New Career
Say Yes If You Love Me
Mondays Are Like Tuesdays
One Two Three Four
   


ahk

While bands like The Hives and The Soundtrack of Our Lives are ushering in a new age of Swedish rawk, there remains an underground movement of subtler sounds emanating from Scandinavia's shores. A movement begun ten years ago, and nurtured since, by Acid House Kings. Mondays are like Tuesdays and Tuesdays are like Wednesdays is the easy, breezy, beautiful third album by this Swedish pop combo, and it includes references to Stockholm inner city life, the sound of the Velvet Underground, and a depressing TV series on Sweden's suburbs titled Svenska Hjärtan.

The forerunners to the fertile and incestuous Åhus scene, Acid House Kings have spawned a series of great bands including Red Sleeping Beauty, Poprace, Starlet, and Club 8. Julia (Lasse Lindh contributor) Lannerheim sings, Johan (Club 8/Poprace) Angergård plays guitars, bass and keyboards, and his brother Niklas (Red Sleeping Beauty) Angergård sings and plays guitars and keyboards. Joakim (Starlet) Ödlund is paid tribute in the title track but didn't participate in the recording of the new album. The trio promises Joakim will be back for the prospective album number-four.

On "Say Yes If You Love Me" Julia sings 'There's a certain kind of sadness/There's a certain kind of joy/In everything you're doing,' and the same is true throughout Mondays are like Tuesdays and Tuesdays are like Wednesdays. And, though the band claims that "Say Yes…" is "the only old-school classic AHK sound on the new record," fans will recognize familiar elements. Alternately melancholy and sprightly, Acid House Kings play airy pop full of sweetness and light. Strummy, jangling guitars set the tone that is accented by stylish keyboards and subtle bass playing. The foil between the Niklas and Julia's singing provides the album's focal point with simple melodies in perfect harmony and sensitive, contemplative lyrics of love. Perhaps the cruel, dark winters account for the band's seasonal fixation as summer also becomes a recurring theme throughout the album, serving as an allegory for love.

This is gentle, soft pop that will appeal to a broad range of admirers of vintage '60s pop, classic '80s indie-pop from record labels like Creation and Sarah Records, and current acts like (of course) Club 8.

 The Swedish trio dishes lighter-than-air cocktail pop that's commonplace nowadays, but the standard of performance --in the trilling boy-girl vocals, quietly busy arrangements, and McCartneyish bass lines - makes this collection a more pleasurable listen that it would've been in less-skilled hands. Julia Lannerheim steals the show on the smoky "Love Is All We Need," and "Summer's On Its Way" is The Style Council single that got away. - The Big Takeover

Like their international brethren -- Club 8, the Field Mice and Sundays -- the Swedish trio the Acid House Kings record lightly orchestrated pop with jangly strum. Unlike their brethren, AHK forgo the synth drone and drum machines of many post-Stereolab groups. Instead, they follow a tradition through Donovan, Nick Drake and Bacharach, creating songs full of sugary yet bittersweet, melodic hooks. Muted horns, strings and chiming guitars are cradled in gently skipping bass through album highlights such as "She Keeps Hoping," "You're a Beautiful Loser" and the title track, while lyrics such as "Summer's on its way/It changes everything then turns in to fall/The summer gets to us all," on "Summer's On Its Way," waft with the slightly melancholy air of a vacation's end. Through it all, Julia Lannerheim and Niklas Angergard trade breezy vocal harmonies warm and welcome as soft light on a lazy breakfast-in-bed weekend. It's regal, perhaps, but nothing acidic about it. -Rollingstone.com
 
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